The Strange and Familiar Nominees for the 2019 Hugo Awards

The B&N Sci-Fi and Fantasy Blog

The nominees for the 2019 Hugo Awards were announced this morning via streaming webcast straight from Dublin, Ireland, home of the 77th annual World Science Fiction Convention, and the lucky honorees represent the daring, strange—and familiar—flavors of sci-fi and fantasy that defined last year.

All six authors vying for Best Novel this year are prior Hugo nominees, and three of them—Mary Robinette Kowal (The Calculating Stars), Rebecca Roanhorse (Trail of Lightning), and Catherynne Valente (Space Opera)—even won, though none of those trophies was for a novel. The three others facing off in the category—Naomi Novik (Spinning Silver), Becky Chambers (Record of a Spaceborn Few), and Yoon Ha Lee (Revenant Gun)—are celebrating nominations for consecutive novels, though not all were published in consecutive years. (Also worth noting: Roanhorse, Novik, and Kowal’s novels are contenders at this year’s Nebulas.)

There are fresher faces elsewhere on the ballot, including P. Djèlí Clark, nominated two times this year, for Best Novella for The Black God’s Drums and Best Short Story for “The Secret Lives of the Nine Negro Teeth of George Washington.” Alix E. Harrow also celebrates her first nomination for her short story “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” while the Best Novelette category features first-timers Simone Heller and Zen Cho—who, we’re pleased to say, picked up her nomination for “If at First You Don’t Succeed, Try, Try Again,” a lovely story of love, perseverance, and dragons that was published right here on The B&N Sci-Fi & Fantasy Blog.

As ever, an established career and a dedicated fan following have their perks: in its third year, the Best Series Hugo sees its first repeat nominee, for Seanan McGuire’s October Daye urban fantasy series, while Aliette de Bodard, Yoon Ha Lee, and Becky Chambers are nominated for series whose recent individual works are also recognized in other categories this year.

With additional nominations for familiar names like Jo Walton and Ursula K. Le Guin (who earned her second posthumous nomination), what is perhaps most notable about this year’s slate—aside from the uniform excellence of the works recognized—is the how very traditionally Hugo they are. After a number of years during which the most storied honor in genre became mired in political gamesmanship, controversy, and no small amount of anger, this year’s ballot seems to do nothing more than speak to the year in SFF that was 2018, as it was seen by the WorldCon fandom.

And that’s the way it should be.

The Hugo Award winners will be announced in August at Dublin 2019. The complete list of nominees follows.

Best Novel

The Calculating Stars, by Mary Robinette Kowal (Tor)
The first of a pair of prequel novels to Kowal’s award-winning novelette The Lady Astronaut of MarsThe Calculating Stars (also a Nebula nominee) delves into the alternate history that resulted in humanity establishing a colony on Mars in the middle of the 20th century. In the spring of 1952, a huge meteor hits Chesapeake Bay, taking out most of the Eastern United States. Mathematician and former military pilot Elma York and her scientist husband Nate are there to witness the destruction, and Elma knows immediately that this is an ELE—an extinction-level event—and that humanity must look to the stars if it has any hope of survival. Although her experience as a pilot and her math skills earn Elma a place in the International Aerospace Coalition as a calculator, she begins to wonder why women can’t be astronauts as well—and she’s more than willing to confront racism, sexism, and more personal enemies on her quest to become the first lady astronaut. This is one of those books that seems to have come along at just the right moment, bringing together fascinating, inspiring characters; compelling, plausible worldbuilding; and a message that resonates—especially today. Read our review.

Record of a Spaceborn Few, by Becky Chambers (Harper Voyager)
This standalone followup to A Long Way to a Small, Angry Planet and A Closed and Common Orbit explores what happens to those passengers on the generation ships humanity used to escape Earth who don’t know how to leave their vessels behind. The Exodans are the largest concentration of humanity anywhere in the universe; they are the descendants of those who left a poisoned Earth two centuries before on a flotilla of hope. The novel explores what happens to them after the ship reaches its destination: both to those who venture forth into new lives, and those who stay behind. Chambers’ books are celebrated for their warmth and diverse characters, but her worldbuilding is also stellar; it’s a delight to spend more time in this universe. Read our interview with the author.

Revenant Gun, by Yoon Ha Lee (Solaris)
Lee brings the Hugo and Nebula award-nominated Machineries of Empire trilogy to its conclusion in mathematical style with a brainy, fast-paced final entry. Shuos Jedao wakes up in the body of a much older man rather than the 17-year old one his memories led him to expect. He’s shocked to discover he’s now a general, commanded by Hexarch Nirai Kujen—a tyrant hiding behind an easy smile—to conquer the haxarchate using an army compelled to obey his every command. Worse—he quickly discovers that the soldiers despise him for a massacre he doesn’t remember committing. Worst—someone is hunting him, seeking to bring him to justice for his crimes. The first two books in the series stretched imaginations and taxed brains, and this one is no different—and no less worth the effort it takes to puzzle it out. Read our review.

Space Opera, by Catherynne M. Valente (Saga Press)
Valente spins a truly nutty disco ball of a sci-fi story that begins with the Sentience Wars that nearly eradicate all intelligent life in the universe; when they end, the scattered survivors regroup and begin a new tradition designed to avoid future apocalypses: the Metagalactic Grand Prix, a universe-wide competition of song and dance open only to recognized sentient species. When any new species emerges onto the universal stage to declare itself sentient—like, say, humanity—they must send contestants to the Grand Prix to prove their worth and quite literally sing for their lives (though alien singing doesn’t always sound like a Top 40 hit). Place anything but last and the upstart civilization is a part of the club. If they come in last, they’re quietly exterminated, in the name of preserving universal peace. (Tough choices, people…and not people.) When Earth is unexpectedly pulled into the next contest, the task of saving humanity falls to a has-been rock star named Decibel Jones, who must grapple with the demons of his past while venturing reluctantly onto the largest stage of all-time. It’s a a second chance to be a glitter-bombed rock star. or die trying—along with everyone else. Inspired by her dual love for Eurovision and Douglas Adams, this one is pure Catherynne Valente, from the first page to the last. Read our review.

Spinning Silver, by Naomi Novik (Del Rey)
Drawing on Eastern European folklore and the classic fairy tale of Rumplestiltskin, Novik tells the story of Miryem, daughter in a family of Jewish moneylenders led by her incompetent father. With their fortunes on the wane due to his poor business sense, Miryem must step in and turn the family business around. Inspired by a mixture of desperation and genius, she responds by spinning debts into gold—gold that attracts the attention of the Staryk, emotionless fairies who bring winter with them. The Staryk give Miryem Fairy Silver and demand she transform it, too. Miryem does so by turning the beautiful metal into jewelry that attracts the attention of the rich and powerful—but her success brings her more Staryk attention, and thus more problems. Novik’s first standalone novel to come along in the wake of the Nebula Award-winning Uprooted had a tough act to follow, but Spinning Silver—expanded from a short story included in anthology The Starlit Wood—is every bit as enchanting. Read our review.

Trail of Lightning, by Rebecca Roanhorse (Saga Press)
Roanhorse’s buzzy debut is set in a post-apocalyptic world comparable to Mad Max: Fury Road in intensity, with worldbuilding drawn from the author’s Indigenous American heritage. In an America devastated by rising sea levels, the Navajo Nation has been reborn as Dinétah—and with it have come the old gods and monsters of Native American legend. Maggie Hoskie is a monster-hunter, gifted with the power to fight and defeat these beasts. Hired by a small town to locate a missing girl, she teams up with a misfit medicine man named Kai Arviso, and the two dive into a mystery that takes them deeper into the dark side of Dinétah than they could have imagined—a world of tricksters, dark magic, and creatures more frightening than any story. Trail of Lightning is an audacious take on the conventions of both urban fantasy and the post-apocalyptic novel, binding them together in a way that could only and ever happen in Dinétah. Read our review.

Best Novella

Artificial Condition, by Martha Wells (Tor.com Publishing)

Beneath the Sugar Sky, by Seanan McGuire (Tor.com Publishing)

Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com Publishing)

The Black God’s Drums, by P. Djèlí Clark (Tor.com Publishing)

Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com Publishing)

The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)

Best Novelette

If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi & Fantasy Blog)

“The Last Banquet of Temporal Confections,” by Tina Connolly (Tor.com)

“Nine Last Days on Planet Earth,” by Daryl Gregory (Tor.com)

The Only Harmless Great Thing, by Brooke Bolander (Tor.com Publishing)

“The Thing About Ghost Stories,” by Naomi Kritzer (Uncanny Magazine #25)

“When We Were Starless,” by Simone Heller (Clarkesworld #145, October 2018)

Best Short Story

“The Court Magician,” by Sarah Pinsker (Lightspeed, January 2018)

“The Rose MacGregor Drinking and Admiration Society,” by T. Kingfisher (Uncanny Magazine #25)

“The Secret Lives of the Nine Negro Teeth of George Washington,” by P. Djèlí Clark (Fireside Magazine, February 2018)

“STET,” by Sarah Gailey (Fireside Magazine, October 2018)

“The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat,” by Brooke Bolander (Uncanny Magazine #23)

“A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018)

Best Series

The Centenal Cycle, by Malka Older (Tor.com Publishing)

The Laundry Files, by Charles Stross (Tor.com Publishing)

Machineries of Empire, by Yoon Ha Lee (Solaris)

The October Daye Series, by Seanan McGuire (DAW)

The Universe of Xuya, by Aliette de Bodard (Subterranean Press)

Wayfarers, by Becky Chambers (Harper Voyager)

Best Related Work

Archive of Our Own, a project of the Organization for Transformative Works

Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, by Alec Nevala-Lee (Dey Street Books)

The Hobbit Duology, written and edited by Lindsay Ellis and Angelina Meehan (YouTube)

An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, by Jo Walton (Tor)

The Mexicanx Initiative Experience at Worldcon 76 (Julia Rios, Libia Brenda, Pablo Defendini, John Picacio)

Ursula K. Le Guin: Conversations on Writing, by Ursula K. Le Guin with David Naimon (Tin House Books)

Best Graphic Story

Abbott, written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell (BOOM! Studios)

Black Panther: Long Live the King, written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario Del Pennino and Tana Ford (Marvel)

Monstress, Vol. 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics)

On a Sunbeam, by Tillie Walden (First Second)

Paper Girls, Vol. 4, written by Brian K. Vaughan, art by Cliff Chiang, colors by Matt Wilson, letters by Jared K. Fletcher (Image Comics)

Saga, Vol. 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)

Best Dramatic Presentation, Long Form

Annihilation, directed and written for the screen by Alex Garland, based on the novel by Jeff VanderMeer (Paramount)

Avengers: Infinity War, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios)

Black Panther, written by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel Studios)

A Quiet Place, screenplay by Scott Beck, John Krasinski and Bryan Woods, directed by John Krasinski (Platinum Dunes/Sunday Night)

Sorry to Bother You, written and directed by Boots Riley (Annapurna Pictures)

Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony)

Best Dramatic Presentation, Short Form

The Expanse: “Abaddon’s Gate,” written by Daniel Abraham, Ty Franck and Naren Shankar, directed by Simon Cellan Jones

Doctor Who: “Demons of the Punjab,” written by Vinay Patel, directed by Jamie Childs

Dirty Computer, written by Janelle Monáe, directed by Andrew Donoho and Chuck Lightning

The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett

The Good Place: “Jeremy Bearimy,” written by Megan Amram, directed by Trent O’Donnell

Doctor Who: “Rosa,” written by Malorie Blackman and Chris Chibnall, directed by Mark Tonderai

Best Professional Editor, Short Form

Neil Clarke

Gardner Dozois

Lee Harris

Julia Rios

Lynne M. Thomas and Michael Damian Thomas

Catherine Tobler 

Best Professional Editor, Long Form

Sheila E. Gilbert

Anne Lesley Groell

Beth Meacham

Diana Pho

Gillian Redfearn

Navah Wolfe

Best Professional Artist

Galen Dara

Jaime Jones

Victo Ngai

John Picacio

Yuko Shimizu

Charles Vess

Best Semiprozine

Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews

Fireside Magazine, edited by Julia Rios, managing editor Elsa Sjunneson-Henry, social coordinator Meg Frank, special features editor Tanya DePass, founding editor Brian White, publisher and art director Pablo Defendini

FIYAH Magazine of Black Speculative Fiction, executive editors Troy L. Wiggins and DaVaun Sanders, editors L.D. Lewis, Brandon O’Brien, Kaleb Russell, Danny Lore, and Brent Lambert

Shimmer, publisher Beth Wodzinski, senior editor E. Catherine Tobler

Strange Horizons, edited by Jane Crowley, Kate Dollarhyde, Vanessa Rose Phin, Vajra Chandrasekera, Romie Stott, Maureen Kincaid Speller, and the Strange Horizons Staff

Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien

Best Fanzine

Galactic Journey, founder Gideon Marcus, editor Janice Marcus

Journey Planet, edited by Team Journey Planet

Lady Business, editors Ira, Jodie, KJ, Renay, & Susan

nerds of a feather, flock together, editors Joe Sherry, Vance Kotrla and The G

Quick Sip Reviews, editor Charles Payseur

Rocket Stack Rank, editors Greg Hullender and Eric Wong

Best Fancast

Be the Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace

The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe

Fangirl Happy Hour, hosted by Ana Grilo and Renay Williams

Galactic Suburbia, hosted by Alisa Krasnostein, Alexandra Pierce, and Tansy Rayner Roberts, produced by Andrew Finch

Our Opinions Are Correct, hosted by Annalee Newitz and Charlie Jane Anders

The Skiffy and Fanty Show, produced by Jen Zink and Shaun Duke, hosted by the Skiffy and Fanty Crew 

Best Fan Writer

Foz Meadows

James Davis Nicoll

Charles Payseur

Elsa Sjunneson-Henry

Alasdair Stuart

Bogi Takács

Best Fan Artist

Sara Felix

Grace P. Fong

Meg Frank

Ariela Housman

Likhain (Mia Sereno)

Spring Schoenhuth

Best Art Book

The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press)

Daydreamer’s Journey: The Art of Julie Dillon, by Julie Dillon (self-published)

Dungeons & Dragons Art & Arcana: A Visual History, by Michael Witwer, Kyle Newman, Jon Peterson, Sam Witwer (Ten Speed Press)

Spectrum 25: The Best in Contemporary Fantastic Art, edited by John Fleskes (Flesk Publications)

Spider-Man: Into the Spider-Verse—The Art of the Movie, by Ramin Zahed (Titan Books)

Tolkien: Maker of Middle-earth, edited by Catherine McIlwaine (Bodleian Library)

John W. Campbell Award for Best New Writer

Katherine Arden (2nd year of eligibility)

S.A. Chakraborty (2nd year of eligibility)

R.F. Kuang (1st year of eligibility)

Jeannette Ng (2nd year of eligibility)

Vina Jie-Min Prasad (2nd year of eligibility)

Rivers Solomon (2nd year of eligibility)

Lodestar Award for Best Young Adult Book

The Belles, by Dhonielle Clayton (Freeform)

Children of Blood and Bone, by Tomi Adeyemi (Henry Holt)

The Cruel Prince, by Holly Black (Little, Brown)

Dread Nation, by Justina Ireland (Balzer + Bray)

The Invasion, by Peadar O’Guilin (Scholastic)

Tess of the Road, by Rachel Hartman (Random House)

Who are you pulling for at this year’s Hugo Awards? Let us know in the comments.

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This Week’s New Sci-Fi & Fantasy Books: Cross-Country Horror, Fairy Tales in Verse, and All of Earthsea

The B&N Sci-Fi and Fantasy Blog

Mage Against the Machine, by Shaun Barger
You’d think alchemically combining science fiction and fantasy tropes would be too big a challenge for a debut author, but Shaun Barger asks you to politely hold his beer. This first novel is set in the 22nd century, a hundred years after an insane mage engineered a magical-nuclear holocaust, killing all humans. Mages have survived behind magical Veils that protect them from the ravaged world outside. Young Nikolai is tasked with helping maintain the Veils, but is obsessed with the vanished world that was, indulging in Ready Player One-esque hunts for 20th century pop culture. When he discovers on one of his jaunts that humanity not only survived, but remains locked in a bloody war with powerful AIs called Synths, his faith in his world crumbles. When he meets Jem, a technologically augmented former ballerina turned Runner for the fading human resistance, he knows he’ll have to choose a side—and accept the consequences. The publisher calls this one “Harry Potter meets the Terminator,” and we’re inclined to agree; there’s a lot going on here, but it’s all great fun to puzzle out.

The Monster Baru Cormorant, by Seth Dickinson
With The Traitor Baru Cormorant, Dickinson showed an impressive talent for executing an epic fantasy rich in worldbuilding, complex in character, and brutally exacting in its clockwork plotting. Baru Cormorant rose off the page as one of the most flawed, fascinating characters to come out of fantasy in a long time, her incandescent rage and patient desire for revenge but a few of her visceral qualities. In the first book, she survived the destruction of her culture and death of her loved ones at the hands of the Empire of Masks and feigned obedience in order to rise within its ranks and orchestrate its epic downfall from the inside. As The Monster Baru Cormorant opens, she finds herself, finally, a powerful member of the empire she’s vowed to destroy, yet psychically damaged by the effort it took to get there, to the point that she can no longer trust her own motivations. With this second of a planned four-volume epic, Dickinson has done something incredible by deepening our understanding of a fabulously complex, compelling character.

Alice Isn’t Dead, by Joseph Fink 
As he did with Welcome to Night Vale and It Devours!, in Alice Isn’t Dead, Joseph Fink transforms one of his popular podcasts into a novel. (The same-titled show, which completed its third and final season in 2018, is also being developed for television.) The story follows Keisha, a long-haul truck driver on a cross-country search for clues regarding her missing wife, who she refuses to believe is actually dead. The journey leads her into a complex web of dark conspiracies and stomach-churning terror. Fink was inspired by his experiences living in and out of his van while driving around the country performing live episodes of Welcome to Night Vale; taken as a travelogue of these weird United States, it’s by turns haunting, touching, and downright terrifying, with a particularly memorable villain—a slouching bag of distended flesh known as the Hungry Man—who will stalk your nightmares.

The Sea Dreams it Is the Sky, by John Hornor Jacobs
The author of Southern Gods delivers a Halloween treat in this chilling novella, currently available only as an ebook, It’s a tale of cosmic horror about a woman named Isabel, who has fled to Spain to escape the cruel regime that has seized her home country. She falls in with one of her fellow countrymen in self-imposed exile, a man known to her only as “The Eye.” When a strange message bids him to return home, Isabel is left to care for the things he has left behind—including two odd manuscripts, one a sort of diary of his life as a dissident, the other a translation of an impossibly old, darkly powerful book. Reading them leaves Isabel haunted, and compelled, too, to return home. But what will it cost her to go back? Jacobs is a writer who deserves a much wider audience (The Incorruptibles is a brilliant blend of weird western and epic fantasy); hopefully, this slim slice of madness will deliver it.

The Books of Earthsea: The Complete Illustrated Edition, by Ursula K. Le Guin and Charles Vess
Weighing in at over five pounds and extending to nearly 1,000 pages, this is the definitive single-volume collection of all of Ursula K. Le Guin’s novels, stories, and essays concerning the magical island nations of Earthsea. Working in close collaboration with the author, illustrator Charles Vess presents a slightly whimsical new vision of this fantasy realm—its people finally depicted dark skin, as in the text; his dragons, pure magic. The real treat for fans: a new short story, published in the Paris Review just months after Le Guin’s death, gives us the author’s true final words on Earthsea.

Star Wars: Women of the Galaxy, by Amy Ratcliffe
Star Wars is no latecomer to gender equality, slave Leia costume notwithstanding. From the very first film, the galaxy’s women (well, woman, anyway) have played key roles in the story, and it’s high time that legacy is celebrated. Seventy-five of the most important and consequential female characters of the galaxy far, far away are profiled in this volume, including Leia Organa, Rey, Ahsoka Tano, Jyn Erso, and many more. Rare backstory, relevant biographical details, and key moments in the saga’s ever-expanding story are featured alongside more than 100 illustrations that bring these women to vibrant life. Amy Ratcliffe, managing editor of Nerdist and a Star Wars superfan (she cohosts not one but two Star Wars podcasts, Full of Sith and Lattes with Leia) pens the character profiles, guaranteeing that this resource volume is both faithful to continuity, and fun to read.

The Labyrinth Index, by Charles Stross 
Over the course of eight novels and three novelettes, computer scientist and author Stross’s Laundry Files series has brought together many, many elements that just shouldn’t go—namely Lovecraftian horrors, bleak office humor, spy thrillers, and plain old sci-fi—to create one of the most amusing, intricate sci-fi horror series running. In this latest entry, he ups the ante by mixing Elder Gods, Nazgûl, vampires, and yet more frustrating bureaucracy into the mix as head of the Lords Select Committee on Sanguinary Affairs, Mhairi Murphey, struggles to deal with her awful boss while searching for the missing American President—who no one in the U.S. seems to care about, or even remember. Once again, Stross manages to tell a fantastic story rife with dark humor, political satire, and plain, old-fashioned fun.

Finding Baba Yaga, by Jane Yolen 
Nebula-winning Yolen has written hundreds of books and long ago achieved legendary status, but instead of coasting, she continues to challenge herself and her readers. Finding Baba Yaga is not only written in delightful, modern verse, and not only takes inspiration from an old Russian fairy tale, it is also a subtle, powerful take on the #MeToo movement. Natasha flees her abusive, unhappy home and comes across a hut that moves under its own power, walking on chicken legs. She’s taken in by legendary witch Baba Yaga, and carves out a wholly unexpected life for herself that begins with her finding her own voice, and ends with her using her voice to make things happen.

What new SFF books are you picking up this week?

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