Alice Isn’t Dead Is Surreal Supernatural Trip

The B&N Sci-Fi and Fantasy Blog

Alice Isn’t Dead is podcaster-turned-authorJoseph Fink’s adaptation of his same-named audio drama, but as a book, it offers a very different trip—both from its aural forebear, and from Fink’s other multimedia franchise, Welcome to Night Vale. Alice begins by warning the reader that it is a road trip, and not a book, and this is true, in a sense; while more traditionally and narratively focused than its episodic kin, which was presented as a dreaming series of CB radio broadcasts sent across the airwaves by a lonely trucker, Fink’s novel still manages to build an unsettlingly surreal atmosphere, loaded with weird imagery and jaunts to strange places on the margins of the world. It’s a vibrant and unnerving backdrop upon which to unfold a story of supernatural conspiracy, but the book’s center is as much about the journey as the destination, and the questions as much as the answers.  Our chief companion on this trip is a woman searching for her missing wife, whom she encounters and loses again and again as they overcome their past trauma and hopefully, close the distance between them.

After her wife Alice dies, Keisha is left alone to deal with her grief. She slowly drifts away from friends and support groups, and tries to piece together life with a hole in the middle of it where the woman she loved used to be. Yet just as she’s started to process her loss, Keisha begins seeing Alice lurking in the background of newscasts chronicling major disasters and catastrophic accidents all over the country. With this slim lead, Keisha gets a job with the same trucking company that once employed Alice and sets off across the dark highways of the United States, determined to understand what really happened. But Alice is only a small gnat trapped in a vast, sinister spiderweb of shell companies and government conspiracies, and far from delivering her closure, Keisha’s investigation only leads her deep into an ages-old conflict, and ever more dangerous territory.

Alice Isn’t Dead runs on an engine of eerie ambiance. Joseph Fink’s America has a feel to it—a sense that there’s something slightly off, from a city on a beach of fish bones that advertises itself as “the last free place,” to the fleshy truck stop diner who eats eggs with his fingers, to a villain who talks in jumbled fragments that only serve to make her threatening even before she gets down to making actual threats. There’s a certain lyricism to the quick-moving prose—descriptions of places just as the light fades, and moments of terror so intense that breathing is an afterthought. Fink’s narrative was inspired by his cross-country tours of America with the Night Vale crew; here, he creates a road trip for Keisha to follow that feels real. It probably doesn’t exist within the bounds of the United States, but it might.

Any adaptation invites comparisons to the source material, though this one certainly works independently of the podcast. While the podcast was a wild, meandering magical-realist road trip through the bizarre heart of America, the book tightens things. In either format, Alice Isn’t Dead is, at its core, the story of Keisha and Alice, and their intertwining lives, just as much as it is about a secret war between strange, immortal factions vying for control of the world. The novel is both more expansive, with multiple points-of-view and a greater insight into Alice and Keisha’s pasts and relationship, and slightly shorn of some of its more episodic detours. What was a lonely travelogue becomes a propulsive cat-and-mouse chase between Keisha and the monsters on her tail, and the result is very difficult to put down.

This is a horror story with suspense and atmosphere to spare, but it’s that foregrounding of the central relationship that guns its engine ever onwards into the darkness: Alice’s overprotective nature, Keisha’s driven search for answers, and of the hope for healing and redemption out there on the road. There’s plenty here to surprise even seasoned listeners of the podcast, and will surely satisfy fans of Welcome to Night Vale inclined to further explore the planet of Fink’s. At the very least, they’ll finally learn why the chicken crossed the road.

Alice Isn’t Dead is available now in a signed edition from Barnes & Noble. Listen to our interview with Joseph Fink on the Barnes & Noble Podcast.

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This Week’s New Sci-Fi & Fantasy Books: Cross-Country Horror, Fairy Tales in Verse, and All of Earthsea

The B&N Sci-Fi and Fantasy Blog

Mage Against the Machine, by Shaun Barger
You’d think alchemically combining science fiction and fantasy tropes would be too big a challenge for a debut author, but Shaun Barger asks you to politely hold his beer. This first novel is set in the 22nd century, a hundred years after an insane mage engineered a magical-nuclear holocaust, killing all humans. Mages have survived behind magical Veils that protect them from the ravaged world outside. Young Nikolai is tasked with helping maintain the Veils, but is obsessed with the vanished world that was, indulging in Ready Player One-esque hunts for 20th century pop culture. When he discovers on one of his jaunts that humanity not only survived, but remains locked in a bloody war with powerful AIs called Synths, his faith in his world crumbles. When he meets Jem, a technologically augmented former ballerina turned Runner for the fading human resistance, he knows he’ll have to choose a side—and accept the consequences. The publisher calls this one “Harry Potter meets the Terminator,” and we’re inclined to agree; there’s a lot going on here, but it’s all great fun to puzzle out.

The Monster Baru Cormorant, by Seth Dickinson
With The Traitor Baru Cormorant, Dickinson showed an impressive talent for executing an epic fantasy rich in worldbuilding, complex in character, and brutally exacting in its clockwork plotting. Baru Cormorant rose off the page as one of the most flawed, fascinating characters to come out of fantasy in a long time, her incandescent rage and patient desire for revenge but a few of her visceral qualities. In the first book, she survived the destruction of her culture and death of her loved ones at the hands of the Empire of Masks and feigned obedience in order to rise within its ranks and orchestrate its epic downfall from the inside. As The Monster Baru Cormorant opens, she finds herself, finally, a powerful member of the empire she’s vowed to destroy, yet psychically damaged by the effort it took to get there, to the point that she can no longer trust her own motivations. With this second of a planned four-volume epic, Dickinson has done something incredible by deepening our understanding of a fabulously complex, compelling character.

Alice Isn’t Dead, by Joseph Fink 
As he did with Welcome to Night Vale and It Devours!, in Alice Isn’t Dead, Joseph Fink transforms one of his popular podcasts into a novel. (The same-titled show, which completed its third and final season in 2018, is also being developed for television.) The story follows Keisha, a long-haul truck driver on a cross-country search for clues regarding her missing wife, who she refuses to believe is actually dead. The journey leads her into a complex web of dark conspiracies and stomach-churning terror. Fink was inspired by his experiences living in and out of his van while driving around the country performing live episodes of Welcome to Night Vale; taken as a travelogue of these weird United States, it’s by turns haunting, touching, and downright terrifying, with a particularly memorable villain—a slouching bag of distended flesh known as the Hungry Man—who will stalk your nightmares.

The Sea Dreams it Is the Sky, by John Hornor Jacobs
The author of Southern Gods delivers a Halloween treat in this chilling novella, currently available only as an ebook, It’s a tale of cosmic horror about a woman named Isabel, who has fled to Spain to escape the cruel regime that has seized her home country. She falls in with one of her fellow countrymen in self-imposed exile, a man known to her only as “The Eye.” When a strange message bids him to return home, Isabel is left to care for the things he has left behind—including two odd manuscripts, one a sort of diary of his life as a dissident, the other a translation of an impossibly old, darkly powerful book. Reading them leaves Isabel haunted, and compelled, too, to return home. But what will it cost her to go back? Jacobs is a writer who deserves a much wider audience (The Incorruptibles is a brilliant blend of weird western and epic fantasy); hopefully, this slim slice of madness will deliver it.

The Books of Earthsea: The Complete Illustrated Edition, by Ursula K. Le Guin and Charles Vess
Weighing in at over five pounds and extending to nearly 1,000 pages, this is the definitive single-volume collection of all of Ursula K. Le Guin’s novels, stories, and essays concerning the magical island nations of Earthsea. Working in close collaboration with the author, illustrator Charles Vess presents a slightly whimsical new vision of this fantasy realm—its people finally depicted dark skin, as in the text; his dragons, pure magic. The real treat for fans: a new short story, published in the Paris Review just months after Le Guin’s death, gives us the author’s true final words on Earthsea.

Star Wars: Women of the Galaxy, by Amy Ratcliffe
Star Wars is no latecomer to gender equality, slave Leia costume notwithstanding. From the very first film, the galaxy’s women (well, woman, anyway) have played key roles in the story, and it’s high time that legacy is celebrated. Seventy-five of the most important and consequential female characters of the galaxy far, far away are profiled in this volume, including Leia Organa, Rey, Ahsoka Tano, Jyn Erso, and many more. Rare backstory, relevant biographical details, and key moments in the saga’s ever-expanding story are featured alongside more than 100 illustrations that bring these women to vibrant life. Amy Ratcliffe, managing editor of Nerdist and a Star Wars superfan (she cohosts not one but two Star Wars podcasts, Full of Sith and Lattes with Leia) pens the character profiles, guaranteeing that this resource volume is both faithful to continuity, and fun to read.

The Labyrinth Index, by Charles Stross 
Over the course of eight novels and three novelettes, computer scientist and author Stross’s Laundry Files series has brought together many, many elements that just shouldn’t go—namely Lovecraftian horrors, bleak office humor, spy thrillers, and plain old sci-fi—to create one of the most amusing, intricate sci-fi horror series running. In this latest entry, he ups the ante by mixing Elder Gods, Nazgûl, vampires, and yet more frustrating bureaucracy into the mix as head of the Lords Select Committee on Sanguinary Affairs, Mhairi Murphey, struggles to deal with her awful boss while searching for the missing American President—who no one in the U.S. seems to care about, or even remember. Once again, Stross manages to tell a fantastic story rife with dark humor, political satire, and plain, old-fashioned fun.

Finding Baba Yaga, by Jane Yolen 
Nebula-winning Yolen has written hundreds of books and long ago achieved legendary status, but instead of coasting, she continues to challenge herself and her readers. Finding Baba Yaga is not only written in delightful, modern verse, and not only takes inspiration from an old Russian fairy tale, it is also a subtle, powerful take on the #MeToo movement. Natasha flees her abusive, unhappy home and comes across a hut that moves under its own power, walking on chicken legs. She’s taken in by legendary witch Baba Yaga, and carves out a wholly unexpected life for herself that begins with her finding her own voice, and ends with her using her voice to make things happen.

What new SFF books are you picking up this week?

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