8 Frelling Great Books for Fans of Farscape

The B&N Sci-Fi and Fantasy Blog

It’s been 20 cycles since John Crichton fell through a wormhole and into an escape attempt by the sentient spaceship Moya, her complement of ex-prisoners, and one very cross Peacekeeper named Aeryn Sun. (Anyone else feel frellin’ old?) Over four seasons and a cliff-hanger resolving miniseries, Farscape followed John, Aeryn, and a range of deeply alien companions as they flee from an “insane military commander” and other agents of an oppressive government pursuing the knowledge of wormholes locked up in Crichton’s head.

Though technically an Australian-American co-production, the show was filmed in New South Wales and features an overwhelmingly Australian cast and crew—as a result, its sensibilities are slightly askew to those of an American audience less accustomed to having a vein of dark comedy shot through their sci-fi. Aussies are also accustomed to doing more with less in their TV, hence Farscape’s genuinely impressive look and feel, even given a “hefty for ’90s cable but relatively modest for TV” budget.

Also: Muppets. Well, OK, not technically Muppets—but the Jim Henson Company, under Brian Henson, served as a co-producer, and was charged with creating all the impressive lien makeup and prosthetics, including fully puppeteer-operated main characters Pilot and Rygel. If you’ve seen The Dark Crystal (and, if you haven’t, what are you doing?) you know exactly how much the Henson team can do when given free reign over a world of sci-fi and fantasy. In a way, Farscape is even more impressive: The Dark Crystal is set in a world managed entirely by puppeteers, while the creatures of Farscape need to interact believabl—and dramatically—with human characters. The easy joke about the Star Trek series is that every human in the galaxy seemed to be interchangeable save for their T-zones; especially at the time, it was incredibly rare to meet aliens who weren’t roughly human-actor shaped. The show still impresses in this regard too—the puppets have a solidity and presence that’s sometimes lost with modern CGI.

The series is also one-stop shopping for some of our favorite sci-fi tropes: sentient spaceships, space pirates, wormholes, time travel, etc.—but it ultimately works because of the weird, fully realized, and often morally ambiguous characters who populate the show’s cast. With that in mind, here are eight books that will speak to fans of Farscape.

The Long Way to a Small, Angry Planet, by Becky Chambers
One of Farscape‘s most impressive aspects is the affection it engenders for Moya, the sentient bio-mechanical “Leviathan” ship who is able to communicate only indirectly with her crew, but who still comes to feel like a fully fleshed-out character in her own right. In Becky Chambers’ Wayfarers series, the ship itself isn’t sentient, precisely, but the AI that runs just about everything onboard it is. Lovelace, or Lovey as the crew affectionately calls her, was based on a standard, out-of-the-box AI program, but develops a distinct personality and eventually falls in love with the engineer who installed her (not a euphemism). The series features an appropriately rag-tag crew of distinct and diverse individuals, and is at least as sex-positive as Farscape while doing the show one better in terms of diversity and queer representation. Plus: wormholes!

(Though we chose the series for this list independently, Becky Chambers spoke to us shortly after the first book came out about Farscape as an inspiration. You can read her thoughts on the show here.)

Embers of War, by Gareth L. Powell
There’s a slightly ineffable element to Farscape’s success, and that’s to do with it’s wildly shifting tones. It can be dark, and weird, and funny—sometimes all at once—without ever losing the thread of deep humanity at its heart (defining “humanity” very broadly, since most of the crew is not strictly human). Gareth L. Powell manages a similar trick with his much-lauded, ongoing space opera series that began with Embers of War. In the aftermath of a brutal war and the horrific genocide that ended it, the sentient ship Trouble Dog and her captain, Sal Konstanz, are desperate to put the past behind them and make amends (to the extent that amends can be made). It all sounds very heavy, and it is, but Powell finds the heart in each member of Trouble Dog’s crew of loners and outcasts, not to mention the ship herself. He also manages to adeptly inject moments of humor into the proceedings—not surprising, given that this a book from the same writer who made a hero out of a fowl-mouthed, cigar-chomping monkey in the brilliant Ack-Ack Macaque trilogy.

Dark Run, by Mike Brooks
Captain Ichabod Drift swore off his pirate past in favor of life as a freelance cargo hauler on his ship, the Keiko. Given just that much background, you can probably guess how well it goes. Soon enough, he’s blackmailed by a former government minister into running a mysterious package to Earth as part of a complicated revenge scheme, during which Drift and his crew plot to turn the tables and get their own brand of payback. Like Farscape‘s, the universe in which Drift’s crew plys their trade is a complicated, dirty place, with a thriving criminal underworld. Similarly, the crew is diverse both in makeup and motives, as each member has their own varying agendas and, in many cases, adventures to pursue. Granted, it’s a different sort of diversity: in this all-human universe, the Keiko’s crew includes a Chinese brother/sister team and a Māori fighter among its criminals, hackers, and con-artists. There are three books in this series so far, and considering they only get better as they go, we sincerely hope there will be more.

Revenger, by Alastair Reynolds
By interfacing with the skulls of a long-dead species, Adrana and Fura Ness are useful to the legendary Captain Rackamore as Bone Readers. Joining his crew, they employ their telepathic gifts to hunt for treasure—until Adrana is captured by the most feared pirate in the system. What results (in this book and particularly in its sequel, Shadow Captain) are the exploits of a crew of underdogs thrown together on an outlaw ship under the command of the Ness sisters, hunted by just about everyone through no real fault of anyone on board. As on Farscape, each member of the crew has their own motivations, and trust is hard-won and easily lost. Like Moya’s crew, they too are outlaws by necessity rather than choice—living pirate lives only because they’ve got no real shot at living any other way.

Consider Phlebas, by Iain M. Banks
This is the kick-off to Banks’ long-running series of generally standalone works set in the Culture, a sort of techno-utopia whose members run into conflict when engaging with less technologically and morally developed civilizations. In Consider Phlebas, an agent of the Idiran Empire, at war with the Culture, is tasked with recovering a stray Mind—one of the Culture’s hyperintelligent sentient machines that run their massive ships. Along the way, he’s cast adrift and picked up by a pirate vessel. Making a place for himself among the crew, he goes on a few raids before ultimately rising to become master of the ship in a very pirate-like fashion. The morally ambiguous tone and population of intelligent starships makes the book a good fit for fans of the space opera elements of Farscape, but fair warning: while the show dabbles in darkness and scenes of torture, Banks goes considerably further over-the-top—which you’ll realize upon reading the first chapter, in which the protagonist is threatening with drowning in, er, let’s just say “sewage.”

Binti, by Nnedi Okorafor
In tone they’re rather different, but Nnedi Okorafor’s trilogy shares aspect in particular with Farscape: Third Fish, the living ship that transports the title character to the prestigious Oozma University. The series begins when Binti chooses to leave her home on Earth, against the will of her family, to go to school—the first human to do so. En route, the ship is attacked by the jellyfish-like Meduse, who are in a longstanding conflict with the Khoush, an ethnic group whose home neighbors that of Binti’s own Himba. As the young woman is able to communicate with the Meduse, she also makes contact with the ship. As with Moya in Farscape, Third Fish eventually has a child… one which growns up a bit better than Moya’s own Talyn.

The Empress of Forever, by Max Gladstone
Out this summer, the first standalone novel from Hugo-nominated author Max Gladstone (The Craft Sequence) is a sprawling space opera that seems to have Farscape baked right into its DNA (alongside a gab bag of anime series, comic books, and Japanese role playing games). The plot is a great parallel—American tech guru Vivian Liao is mysteriously thrown across space and time and into a distant galaxy, where she must immediately begin fleeing in earnest from powerful forces pursuing her for the galaxies-shattering knowledge buried deep within her head. Along the way, she assembles a strange crew of rarely human allies, anti-heroes, and frenemies—an enraged, nigh-unkillable warlord; a cloud of sentient, shape-shifting grey goo; a disillusioned monk forced to leave behind the others of his order and the stained glass starships they pilot through space—to either aide her mission or use her to further their own ends. The book is an awe-inspiring mashup of complex, big-idea SF plotting (a galactic travelogue that skips from planet to planet to space station, each location bursting with enough worldbuilding to power an entire book) and careful character work (each member of Viv’s crew—not to mention Viv herself—feels real enough to touch). Reading it is not unlike mainlining all four seasons of Farscape in one go. Highly recommended, even if the experience leaves you a little woozy.

Farscape Omnibus Volume 1, by Rockne S. O’Bannon, Keith R. A. DeCandido, Tommy Patterson, Will Sliney, and Caleb Cleveland
In looking for novels and stories in the style of Farscape, you could do far worse than to read something with Farscape on the cover. So last, but not least, is the Farscape comic series, co-written by series creator Rockne S. O’Bannon. The books pick up mere moments after the conclusion of The Peacekeeper Wars miniseries, with John and Aeryn trying to adjust to parenthood even as Rygel discovers that he’s the target of dangerous bounty hunters. The first arc sends Moya and the gang to Hyneria and into the middle of a civil war which they hope will see Rygel finally restored to the throne. The comics builds on the show’s mythology by digging into the backgrounds of D’Argo and Scorpius, in particular, ultimately concluding with an extended war for the uncharted territories. It’s an official continuation, all of it’s canon, and it just recently came back into print with a giant, 688-page omnibus collection that covers about half of the run.

What Farscape readalikes do you recommend?

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The New Sci-Fi & Fantasy Books We Can’t Wait to Read in 2019

The B&N Sci-Fi and Fantasy Blog

We’re done looking back at the best sci-fi and fantasy, horrorcomics, and manga of 2018. Now we turn our gaze to the year ahead: here are the new sci-fi and fantasy books coming in 2019 that our team of bloggers and reviewers can’t wait to read.

Gideon the Ninth, by Tamsyn Muir (September 10)
Hello, I am cheating, because I read Tamsyn Muir’s buzzy debut back in September, but I can’t think of another recent (or forthcoming!) book I’d rather experience again for the first time. It’s the story of snarky, smart-mouthed young necromancer Gideon, drafted against her will into a game of galactic intrigue that quickly turns into a meme-filled Agatha Christie murder mystery in a sealed off, decrepit space castle. With skeletons! I loved it so much I blurbed it (“Gonzo fantasy. If Gene Wolfe, Mervyn Peake, and Ray Harryhausen collaborated on a novel on Reddit, the results might be half as mad and a quarter as entertaining as Tamsyn Muir’s necro-maniacal debut.”), and you will too. Love it, I mean. – Joel Cunningham

The Luminous Dead, by Caitlin Starling (April 2)
I’m cheating here too, since I’ve read this one, but you don’t want to miss it: Starling’s tense and exciting debut follows a cave-diver astronaut on an alien who discovers horrors underground. I read it all the way through, barely taking any time to breathe. A must read for thriller fans. – Elsa Sjunneson-Henry

Empress of Forever, by Max Gladstone (June 18)
The Craft Sequence established Max Gladstone as one of the most innovative voices in fantasy. Now he is turning his considerable talents toward a universe-spanning space opera featuring time travel, space empires, and a swashbuckling team of far-future renegades. I have only the faintest idea of what to expect from a book billed as “a feminist Guardians of the Galaxy crossed with Star Wars,” but I know that anything from Gladstone’s word processor will be wildly imaginative, devastatingly smart, and like no space opera I’ve read before. – Kelly Quinn-Chiu

The Hod King, by Josiah Bancroft (January 22)
Erstwhile headmaster Thomas Senlin has been climbing the Tower of Babel, on the hunt for his lost wife Marya, for two books. Inching ever upward through grotesque Ringdoms, he’s amassed a motley and charming supporting cast. So, I can’t wait for The Hod King, which promises to give some of those characters (fearsome Iren, mischievous Voleta, and capable captain Edith) far more of our attention. And maybe, just maybe, we’ll hear from Marya, too. – Nicole Hill

Dark Shores, by Danielle L. Jensen (May 7)
Two continents divided by impassable-but-by-magic seas, a badass pirate princess of color, a monstrous scion of nearly forgotten gods, and a legion commander with a dark past from an Empire set on world domination? Sign me up. I’ve been longing for a sweeping epic that takes me out of the traditional psuedo-European model and into more exotic territory, and Dark Shores looks like it fits the bill, with the added bonus of what I hope will be a critical eye on colonialism and a complex emotional sub-plot to keep me engaged in this global saga. Yes, it’s billed as YA, but it has all the signs of being just as nuanced and adventurous as Joe Abercrombie’s Shattered Sea trilogy, which I couldn’t get enough of. – Ardi Alspach

Black Leopard, Red Wolf, by Marlon James (February 5)
I’m so excited about Marlon James’ Black Leopard, Red Wolf, which has been blurbed as an “African Game of Thrones”: a fantasy national epic more based on African history and folklore. The brutal, bloody politics, roster of disparate characters, and sheer freaking scope of A Brief History of Seven Killings (for which he won the Booker prize) suggests James will crush epic fantasy. – Ceridwen Christensen

Collision: Stories, by J.S. Breukelaar (February 19)
I read Breukelaar’s novel Aletheia earlier this year, and she blew me away with a story that took unexpected turns and seduced me with its vivid prose and flawed, compelling characters. It’s a book I still think about a lot. Since I love short fiction, I really can’t wait to read this collection and see what dark and magical dreams she’ll bring to life there. – Maria Haskins

Empire of Grass, by Tad Williams (May 7)
Tad Williams’ Memory, Sorrow, and Thorn is a classic for a reason. Twenty-five years later, Williams has returned to the land of Osten Ard with The Last King of Osten Ard trilogy, a direct sequel to his famous series, picking up with many of the same characters, themes, and locations fans know and love. The first volume, The Witchwood Crown was a brilliant reintroduction to the series, and Empire of Grass looks to continue Williams’ run as one of our generation’s greatest fantasists. It’s got everything you love—from plucky heroes to mysterious magic, a beautiful world, rich and full of life, but also ancient and barreling toward a new, unforeseeable future. – Adian Moher

The Light Brigade, by Kameron Hurley (March 19)
I’m an unabashed mark for military science fiction that has an ethical core rather than a Physics degree. Hurley’s work is never less than impressive and this story of soldiers discovering just how they’re being deployed, and the temporal price they’re paying for it, looks fantastic. – Alasdair Stuart

This Is How You Lose the Time War, by Amal El-Mohtar and Max Gladstone (July 16)
I’ll read pretty much anything with the words “time war” in the title, description, or randomly on page 42, but with these two authors involved, it’s doubtless going to be pretty awesome. Especially since it all kicks off with someone finding a letter on a desolate battlefield marked “burn before reading.” Both Gladstone and El-Mohtar have earned more or less my blind allegiance, but honestly, they had me at the title. – Jeff Somers

Ancestral Night, by Elizabeth Bear (March 5)
A return to space opera after a number of years for Bear. An engineer, a pilot, an AI and a booby trapped derelict ship that leads the pair into a chase with interstellar governments, pirates, and oh yes, the black hole at the center of the galaxy. In an era where space opera is big again, I’ll be very glad to hear Bear’s voice resounding once again in one of my favorite subgenres of SFF. – Paul Weimer

Wanderers, by Chuck Wendig (July 2)
I’ve adored Chuck Wendig’s gritty, creepy writing style since his first Miriam Black novel dropped. He’s written about a zillion works since, but I’m dying to get my hands on this post-apocalyptic jewel. Perhaps because this book, teased as Station 11 meets The Stand, gives off literary-level vibes that imply Wendig is really upping his game on this one—without losing his signature penchant for the darker side of the genre. – Emily Wenstrom

Children of Ruin, by Adrian Tchaikovsky (May 14)
I’m being slightly lazy with this pick, in that Tchaikovsky’s Children of Time was my favorite book of 2018. That self-contained book didn’t demand a sequel, which makes it all the more exciting that we’re getting one—though I might be a hair disappointed if it’s not just the further adventures of hyper-evolved spiders. I expect I’ll love it regardless. – Ross Johnson

Permafront, by Alastair Reynolds (March 19)
Alastair Reynolds is one of my favorite authors, and this novella sounds poised to deliver on a great premise —what if you could travel back in time and make a slight adjustment that meant humanity avoided global catastrophe, but would leave all of recorded history intact? A no-brainer, huh? What could possibly go wrong? – Tim O’Brien

Stormsong, by C.L. Polk (February 11)
Witchmark was one of the best books I read in 2018—a beautiful, romantic, and immersive story and a breath of fresh air in a year that was pretty freaking awful. I nearly cried with joy when I heard there was going to be a sequel; I need to know what happens to everyone. Stormsong will focus on Miles’ sister, Grace, who must deal with the horrible consequences on what they put in motion in Witchmark. Storms threaten to tear their city apart and the book will probably tear my heart apart. I have a few months to get mentally ready and it still probably won’t be enough. I can not wait. – Meghan Ball

Thorn of Emberlain, by Scott Lynch (???)
Just because it doesn’t have a release date, or might not be technically finished, doesn’t mean I can’t anticipate it. It’s been almost six years since The Republic of Thieves was released, and I’m raring to get back to the world of Gentlemen Bastards—a place where the mages are ruthless, the humans are devious, and even priests and children swear like sailors. While Scott Lynch takes his time with books, his “when it’s done” approach never fails to deliver, and I’m looking forward to seeing him follow on from the devastating conclusion of book three. – Sam Reader

What’s your most-anticipated SFF book of 2019?

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Revealing This Is How You Lose the Time War by Max Gladstone & Amal El-Mohtar

The B&N Sci-Fi and Fantasy Blog

A little over one year ago, we brought you the first word of This Is How You Lose the Time War, a jointly written novella of temporal warfare and timeline-cross’d romance co-written by award-winning authors Amal El-Mohtar and Max Gladstone. Today, we’re pleased to close that loop (a small time travel joke, y’all) with another post telling you a little bit more about the hotly anticipated mashup—arriving on shelves next summer from Saga Press—and showing off the cover art, which takes illustrating the concept of love amid a brutal war across time in an unexpected direction…

Two time-traveling agents from warring futures, working their way through the past, begin to exchange letters—and fall in love in this thrilling and romantic book from award-winning authors Amal-El Mohtar and Max Gladstone.

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading.

Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future.

Except the discovery of their bond would mean death for each of them. There’s still a war going on, after all. And someone has to win that war. That’s how war works. Right?

Co-written by two beloved and award-winning sci-fi writers, This Is How You Lose the Time War is an epic love story spanning time and space.

As you can tell from the blurb—and as you might expect if you’ve read the authors’ prior bodies of work—this is a book that blurs the lines between pure genre and quote-unquote literature, and the cover—designed by Greg Stadnyk— reflects that with clever subtlety. As Saga Press editor Navah Wolfe puts it: “How to capture a book that feels epic, romantic, literary, and spans all of time and space in one cover? I barely knew where to start—but Greg knocked this one out of the park.”

Amal is a big fan. “I absolutely adore this cover! It really gets to Red and Blue as the heart of the book: their distance from human, their equal-and-opposite-ness, the way they reflect and distort each other across time and space,” she said. “Everything else is details I can’t wait for readers to discover.”

Adds Max: “Red and Blue make war through broken time—they are enemies and reflections and more, they’re inhuman and all too human. I love how this cover captures that shape, that rhythm. Maybe the birds are broken, and the type. Or maybe it’s the world that’s broken against them.”

This Is How You Lose the Time War will be released July 16, 2019, but you can preorder now, which is kind of like time traveling, if you think about it.

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11 Works of Trans-Positive Science Fiction & Fantasy

The B&N Sci-Fi and Fantasy Blog

Science Fiction and fantasy have explored with different ideas of gender for decades, but in the last few years, we’ve finally begun to see an increased number of works in which transgender characters (very often created by writers who are themselves queer) have taken on leading roles in some genuinely great books. They aren’t there to serve as metaphors or walking thought experiments, but fully realized people, with agency.

Here, for no special reason (everything’s fine, why do you ask) are 11 recent novels with positive transgender representation. [Editor’s note: This list originally included seven titles, but we expanded it thanks to some great suggestions received on social media—follow us on Twitter and Facebook!]

The Red Threads of Fortune, by JY Yang
The first two books (of three thus far) in the Tensorate Series, from queer, non-binary author JY Yang, were released simultaneously, in what was a unique publishing experiment for Tor’s novella imprint. Both The Red Threads of Fortune and The Black Tides of Heaven, which can be read in either order. take place in the lush silkpunk fantasy world of Ea, and each focuses on a different child of the Protector—Ea’s supreme ruler. Black Tides follows Akeha as he abandons his family to become a rebel and an outlaw, while Red Threads is the more action-oriented tale of Mokoya, a hunter of the fierce, winged naga. What makes the world unique is the role of gender: in Yang’s imagining, no one is assigned a gender at birth, and one may decide at any point later in life (or not at all) to take on a particular gender and, if desired, related physical characteristics. Which is a stunningly beautiful vision of what gender expression truly means. The Descent of Monsters is the latest in the series.

Dreadnought, by April Daniels
It’s taken some time for queer superheroes to become more than mere anomalies, and they’re still certainly not the norm. Even more rare are trans people with powers, which is why April Daniels Nemesis series is so wonderful. Fifteen-year-old Danny Tozer inherits the abilities of the world’s greatest superhero. For Danny, who is trans, with great power also comes her ideal body—inheriting the dead hero’s power is literally transformative—an invitation to join the local superhero legion, and an archnemesis. It also introduces new problems: the physical change outs her to her friends and family, including an abusive father and a one-time best friend who rejects her. Even the Legion Pacifica includes a cruel TERF (if you’ve had no reason to learn the meaning of that particular acronym, consider yourself lucky). Trans author April Daniels’ super-origin tale dovetails with the story of Danny coming out and coming into own.

Not Your Sidekick, by C. B. Lee
In a similar vein, but with more of an emphasis on fun, Lee’s YA series takes place in the 22nd century, when solar flares have ignited humanity’s latent superpowers. The first book introduces bisexual teen Jess, a high school student who finds herself interning at a tech giant run by her parents’ archenemies. She’s joined by her friend Bells Broussard, a trans teen with shapeshifting powers. Though his story begins here, Bells takes center stage in the second book, Not Your Villain, in which he and his crew uncover a massive superhero cover-up.

When the Moon Was Ours, by Anna-Marie McLemore
McLemore’s lush YA fantasy works on several levels, not least of which is as a fable of love and acceptance. Miel and Sam are inseparable, even when pursued by the Bonner girls—four sisters, widely believed to be witches, who are hunting Miel for the roses that grow from her wrists. Sam, an Italian-Pakistani trans boy, paints moons that he hangs in trees to brighten the forest. The story unfolds like a fairy tale, but there’s real-world poignance in the relationship between the two leads, and in Sam’s growing acceptance of himself, a narrative thread informed by the real-life transitioning of the author’s husband.

The Drowning Girl, by Caitlin R. Kiernan
Trans author Caitlin Kiernan’s novel The Drowning Girl similarly works on the level of fable, but of a much darker sort. It’s the fictionalized memoir of India, a wildly unreliable narrator who encounters a mysterious woman hitchhiking by the side of the road. The strange encounter puts significant strains on India’s mental health and on her relationship with her girlfriend, a trans woman named Abalyn Armitage. It’s a dense, rainswept psychological thriller that might be about an encounter with the supernatural, or might be a story of mental illness. Either way, Abalyn remains the steady center of India’s world, a woman who paints a picture of her own trans life that is by no means entirely rosy, but very real.

Full Fathom Five, by Max Gladstone
This is the third book in Max Gladstone’s popular Craft sequence, and takes place fifth chronologically, but each installment more or less stands alone, and every fan has their own idea about where to start and in what order to read. So you’d might as well start here, with the story of Kai, who builds gods to order. The smart, fast-paced series takes place in a world where humans have thrown off the yoke of the old gods (by killing them) and worked to master their magic—the Craft—themselves. These are relatively recent developments, though, so the workaday world of magic is very much in flux, with different cultures adapting very differently. In Full Fathom Five, the kickass transgender protagonist uncovers a conspiracy when her godly creations start to die.

Annex, by Rich Larson
Celebrated short fiction author Rich Larson’s debut novel, Annex, stars Violet, a young transgender teen who, alongside fellow survivor Bo, becomes the last hope to save her city from alien invaders who’ve cut off them from the rest of the world and turned everyone over 16 into cybernetic zombies. Crucially, Violet being trans isn’t incidental: the apocalypse left her alone to be who she wants to be. Freed from unsupportive parents, and with access to looted hormones and makeup (the novel opens with a pharmacy smash-and-grab), Violet makes the best of the apocalypse while beginning a journey to recognize her own power.

Treason of Hawks, by Lila Bowen
Shapeshifters, sasquatches, and unicorns wander the weird west in the just-concluded four-book series The Shadow from Bowen (the weird fantasy nom de plume for bestselling author Delilah S. Dawson), the story of a young trans man coming into his destiny in the gritty state of Durango. In the first book in the series, Wake of Vultures, we meet Nettie Lonesome, a black and indigenous slave with abusive parents who escapes her horrid life and joins up with the monster-fighting Rangers. In the process, Nettie takes on the mantle of the Shadow, a chosen protector that whispers to her of dark threats on the horizon. Bit of a spoiler here: though the character uses female pronouns in Wake of Vultures, Nettie’s journey over the course of that book inspires him to a greater level of understanding, self-acceptance, and power, and for the rest of the series, our hero is Rhett Hennessey, who continues his interior journey across the rest of the series, even as he becomes an integral member of a crew that includes queer individuals of all stripes, people of color, and people with disabilities, none of whom is to be trifled with, not even by the fearsome monsters that stalk these strange lands.

Provenance, by Ann Leckie
Like JY Yang’s Tensorate novels, Ann Leckie’s recent standalone sci-fi novel, set in the same universe as her award-winning Imperial Radch trilogy, had a ground-up conception of gender identity that’s wonderfully inclusive. On Hwae, a minor planet in a galactic network of worlds linked by interstellar gates, gender is completely self-determined. That is to say, gender is treated as neutral, despite physical characteristics, until a person decides what gender they wish to identify as (and some never make that choice at all). Leckie, whose first novel generated much discussion over her decision to use the pronoun “she” to identify every character, regardless of gender, chooses to represent this non-binary reality through the use of non-gendered pronouns (e/eir/em) for those characters who have yet to choose a gender, or whose gender is indeterminate. While the protagonist has already determined her own gender prior to the start of the novel, issues of personal identity are deeply woven into the novel, which is structured something like a cozy sci-fi murder mystery-cum-political thriller, with stolen artifacts, a case of mistaken identity, and a complex plot to disrupt the political status quo all hinging on the very personal decisions of a group of flawed, relatable characters.

Escapology, by Ren Warom
Here’s another example of a book that is laudable for its representation not because of a particular way the protagonist’s trans identity is factored into the plot, but because it is simply part of his identity. Escapology is a deeply weird hybrid of cyberpunk tropes, cosmic horror, and weird fantasy, Warom’s debut overflows with ideas and world-building that push it well beyond its premise, which follows Shock, a socially awkward console cowboy who takes a gig stealing some corporate data and sees the seemingly innocuous hack quickly turn into the job from hell. With its meme-spouting hivemind savants, AIs who behave more like eldritch abominations than computer programs, high-speed monorail chases, and megaship-to-megaship battles, the book grabs cyberpunk by the throat and drags it into deeper, stranger waters. And tucked into this madness, and revealed only partway through the novel, is the fact that Shock is transgender. It isn’t a source of angst for the character (though he is ostracized from his family due to their close-mindedness), nor is it a plot point; it is simply a fact of Shock’s existence.

Starless, by Jacqueline Carey
This new standalone epic from the author of the beloved Kushiel novels centers on Khai, chosen at birth to be a shadow—one bonded to the Sun-Blessed Princess Zariya of the royal house of Zarkhoum, and sworn to protect her. He has spent his whole life in the desert, preparing for his duty, but as his presentation to the princess draws near, however, Khai discovers he is actually bhazim—born genetically female, and raised as a male—even as learns of a prophecy of a fallen god rising in the west, whom the Sun-Blessed is destined to fight. We watch Khai struggle with the Zarkhoum’s ideas about the rights of different genders, and how gender performance is an integral part of being allowed to do the things a shadow is raised to do. Khai’s sexual and gender exploration is ultimately a celebration of life and growth, and we are witness to moments of joy around the discovery of the possibilities of the flesh—especially the discovery that limits that looked like impassable brick walls are actually illusory veils that can be passed through at will.

What’s your favorite trans-positive SFF novel?

The post 11 Works of Trans-Positive Science Fiction & Fantasy appeared first on The B&N Sci-Fi and Fantasy Blog.